“The Territory” (a review)

Allan Todd reviews "The Territory" directed by Alex Pritz (National Geographic Documentary Films)

 

The Territory, directed by Alex Pritz, is a beautifully-shot and searingly-moving documentary film, which focuses on the struggle by the indigenous Uru-eu-wau-wau people to protect their way of life and culture – and Brazil’s Amazon ever-decreasing rainforest – from destruction. As such, the film is partly a political thriller – involving kidnapping and murder – as well as being a powerful plea for political solidarity and urgent ecological action. It’s a film that certainly gives audiences ‘food for thought’ – but the pun won’t be clear until you’ve seen the film, or read this review!

The film covers three years, during which the Covid-19 pandemic hits the Uru-eu-wau-wau community. It is partially shot and directed by the Uru-eu-wau-wau people themselves, and gives a moving portrayal of how the Uru-eu-wau-wau use modern technology to fight deforestation and, ultimately, genocide. By the time the film was shot, these people – not contacted by the Brazilian government until as late as 1980 – numbered around 200. Previously there were thousands.

The campaigning methods used by the Uru-eu-wau-wau include setting up patrols, using drones to capture evidence of illegal burning and clearing, and setting up their own news media team to expose the truth about what is happening. In particular, the film follows the emergence of a young Indigenous leader, Bitaté Uru-eu-wau-wau, as well as highlighting the work of Neidinha Bandeira, a non-Indigenous environmental and human rights activist. Like the Uru-eu-wau-wau themselves – she puts her life (and those of her family) on the line in her determination to help them. 

Movie Poster for "The Territory"
Movie Poster for “The Territory”

Most of the film portrays how poor non-Indigenous settlers – along with an association of small farmers attempting to legitimise their illegal land grabs – are determined to carve out a living for themselves in the supposedly-protected Uru-eu-wau-wau homeland. These people – who use ‘slash and burn’ tactics to establish frontier settlements – are given plenty of opportunities to explain why they see such land grabs as a way of improving their lives.  However, as the film makes clear, this results in a growing and potentially violent conflict with the Uru-eu-wau-wau, who are equally-determined to resist such encroachments – encroachments openly encouraged by Bolsonaro who, at the time, was Brazil’s hard-right populist president.

However, the film is ultimately frustrating, as the main protagonists – who are largely behind the ecologically-destructive depletion of the Amazonian rainforest – only receive the briefest of mentions. These are, of course, the big cattle ranchers who often initially encourage and fund the poor settlers in their illegal clearances and land grabs. – Later, they buy up such land when the poor farmers hit hard times. Of course, behind Brazil’s big cattle ranchers, are the big global agri-businesses determined to obtain as much beef as possible to meet global demand. Around the globe, 70% of cleared rainforest is used for cattle grazing; in all, the big agri-businesses (dairy as well as meat) use roughly 70% of the world’s land as grazing for cattle or for growing crops for animal feed. In fact, around 50% of all crops grown are fed to farmed animals – which also happens to be a most inefficient way to provide protein for humans.

Thus the film’s main weakness is that, in their attempt to avoid preaching or making political points, the makers nonetheless unintentionally end up making a political point: by failing to emphasise the ultimate root of the problem. Instead, the film remains essentially a poignant indictment of greed, the destruction of cultures and the loss of vital ecosystems. But also a film which misleadingly ends up portraying the situation as a seemingly-intractable dilemma, in which the hopes of poor would-be farmers are pitted against Indigenous people and the rainforest in which they live.

Consequently, many viewers are left with the feeling that there are no easy answers – when, of course, the answers are, ultimately, quite simple. In the first instance – given that raising cattle for meat is the main driver of the destruction of what remains of the Amazon rainforest – people need to do much more than sign petitions or sign up to campaigning organisations. Such actions are important – but an immediate and massive step everyone can take is to stop eating beef; or, at least, drastically reduce their consumption of it.

Fig. 2: Fig. 2: A graphic to bear in mind next time you order a beef burger!

For the longer term solution, of course, what’s needed is for enough people to realise that capitalist corporations like the big agri-businesses – and capitalism itself – survive by such ‘divide and rule’ tactics. As we have seen most recently in England over the proposed new coalmine in Cumbria. The 99% then need to come together to replace the greedy and destructive system that is capitalism with one that delivers social justice for all and an ecologically-sustainable world. Or, in other words: Ecosocialism!


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Allan Todd is a climate and anti-fascist activist, and has been active with Greenpeace and XR. He participated in the anti-fracking protests at Preston New Road in Lancashire, where he organised the ‘Green Mondays’ from 2017 to 2019. Allan is a member of Anti- Capitalist Resistance and of Left Unity’s National Council. He is the author of Revolutions 1789-1917 (CUP) and Trotsky: The Passionate Revolutionary (Pen & Sword). His next book is Che Guevara: The Romantic Revolutionary.

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